Les croiser finement ou les monter comme au cinéma, par la patience artisanale. Now, nearly 50 years later, the idea of removing barriers between various styles is no longer outrageous: many … This brings to mind a comment by Varèse, who felt a symphony orchestra was like a "hydropic elephant "--a tad "vapid" compared with a big band, "a tiger." Laborintus II highlights the timelessness of love and mourning and is told in three voices.
Il pouvait parler de ses projets comme "de grandes architectures sonores" — rhétorique ancienne — mais ajoutait immédiatement, en intellectuel de son temps qui avait lu Joyce : "des labyrinthes musicaux".Luciano Berio était entouré d'amis écrivains et philosophes : Umberto Eco, théoricien de la "forme ouverte", à qui il fit découvrir Ferdinand de Saussure; Italo Calvino, qui fut son librettiste pour Pas de narration linéaire dans Laborintus, donc, mais une descente dans la mémoire de l'espèce humaine. Evil emerges in history: a line of descent from Adam to Noah and the Great Flood. Laborintus II is a strange and unique creation that despite being far from the days of Mr. Bungle and Faith No More, feels completely and totally Mike Patton.Berio était, par nature, un militant anti-mélancolique. He also made an impressive and rarely equaled contribution to the invention of the "open work," giving performers more responsibility and room for interpretation and creativity.
This is only the second release of this work since Berio’s original recording forty-six years ago, and its messages reverberate even more clearly in the 21st century, all the more with the myriad of modern talents showcased in this recording.
Georges-Elie Octors Conductor, Edited By. "They spoke at top speed," he noted in an interview with Rossana Dalmonte. His open-minded attitude still prompts us to take a fresh look at his achievements and adapt them to new patterns. “Incipit vita nova,” says the narrator—a new life starts here. - Prinzipien des Musiktheaters bei Luciano Berio: Passaggio, Laborintus II, Opera - Contemporary tendencies in the relationship of music and text with special reference to Pli selon pli (Boulez) and Laborintus II (Berio) Described as a “music theatre work” by its pioneering composer Luciano Berio (1925-2003), the avant garde piece was commissioned by the national radio agency of France to celebrate the 700-year anniversary of the birth of Dante Alighieri in 1265. With his no-holds-barred approach to compositions, Luciano Berio thrilled his generation and he continues to fascinate music aficionados with his innovations in combining the intellectual and lyrical dimensions of sound. In 2010, vocalist Mike Patton teamed with Belgium's Ictus Ensemble, the Nederlands Kamerkoor, and a trio of female vocalists to present Italian composer Luciano Berio 's Laborintus II at the Holland Festival. Géry Cambier Double Bass, Soloist. During this part, narrator Patton screams the words through a megaphone. Berio's "crossover" project provokes not only a clash of styles but also a sharing of energies and a cross-contamination of phrasings.20:39: Shouted out by the choir leader, Sanguineti's second catalogue poem opens with the same words as the first one: "26:42: A furious sound of drumming, change of color: serenity and seriousness. Laborintus II : per voci, strumenti e registrazioni (1965).
Not content to stay in one category and prone to break rules and mix various genres, the composer became famous for redefining the paths along which contemporary music could travel.
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